Linda
Phillips:
Lead Vocals, Background
Vocals, Percussion, Keyboards,
Infectious Enthusiasm
Linda has just got one of 'THOSE'
voices! Every song she sings
is like it was made for her
alone. She loves to sing a wide
variety and delivers at every
turn. Linda takes pride in the
astonishing delivery of torch
songs such as Etta Jame's "At
Last" and Barbra Streisand's
"Since I Fell For You".
She also delivers Tina Turner,
Shania Twain and Motown Hits
with energy and authenticity.
Linda can sing pretty much any
style you choose. She has done
show bands in Top 40, Motown,
50's & 60's, Techno-Pop,
and Country. She spent the last
several years playing gambling
casinos, wedding receptions,
corporate events.
Kurt Bevers:
Lead vocals, Background
Vocals, Bass and Percussion
Kurt is a native of the Northwest.
He played in many of the local
and national acts you may have
seen such as; Goldrush, Rosewood,
Stoneypoint, Airflo, Foolish
Pleasure, Secrets, Nobody's
Business, and Romance. He also
did a stint as the bass player
for Capitol recording artist
Joni Harms. Kurt is a published
songwriter with air play. He
also produces recordings for
a wide variety of types and
styles of music. Kurt engineered
the original recordings that
started Oregon Public Broadcasting's
Digital Recording Program that
resulted in 3 award winning
CD's to date. In 1998, Kurt
was nominated to the Oregon
Rock & Roll Hall of Fame
for a lifetime achievement award.
In 2002, Kurt was tapped by
LUCAS ARTS during the production
of PHANTOM MENACE to help establish
a new Studio Monitoring Standard
for Surround Mixing.
Robert Russell:
Lead Vocals, Background
Vocals, Guitar, Bass, Keyboards,
Percussion
Bob has been performing since
he was 6 years of age. Over
the years, he has become a consumate
entertainer and became accomplished
on Drums, Guitar, Mandolin,
and Vocals. But, his first love
is the electric guitar, and
on that, he is a master! He
is also an excellent singer,
and just a huge amount of fun
to watch! Bob has played on
the concert stages and club
stages since he was 15 yrs.
old, and the experience shows
in his fluid style. Bob has
performed with many of the bands
you will undoubtedly be familiar
with such as;Rainbow, Secret
Service, Curtis Salgado &
The Stilletos, Shock, Ramm,
Off The Record, Shaker (Seattle),
Ziggy Coefield, Secrets, The
Wheels, and many many more!
Dave Miles:
Lead Vocals, Background
Vocals,
Guitar, Steel Guitar, Acoustic
Guitar, Slide Guitar, Keyboards,
Percussion
Dave is a native of the Northwest.
He has played in many of the
bands you may well have heard
about over the years. Some of
those bands were; Airborne,
Legend, Exposd, Choker, Tightrope,
Wildheart, and many more. Dave
is a published songwriter, and
has had some of his material
get radio play. Dave contributes
greatly to the breadth of the
material the band is capable
of playing as a result of his
Keyboards, Guitars, Slide Guitar,
Steel Guitar, and excellent
Vocals. Dave's approach to ballads
lends a depth to what this band
can do. Dave has an obvious
respect for the original performer's
efforts, but, adds his own spin
that makes the song his own,
Dave has a love for both Country
and Blues which is evident when
he plays slide guitar.
Stanny Nidbalski:
Drums, Percussion, Background
Vocals, Arrangements
Born in Riga, Latvia, Stanny
is a well traveled musician
with enormous experience playing
bars, clubs, county fairs, Blues,
Country, Jazz and Rock festivals,
as well as recording both in
the US and in Europe. He is
a recent Oregon transplant from
Moscow, Idaho, with his name
linked to at least half a dozen
popular Northwest bands of different
musical genres. Rock, Blues,
Top 40, Country, Metal; he's
done it all! His impeccable
meter and great ears combined
with relentless drive for perfection
has earned him praise and respect
from his former and current
band mates. "Stanny Nidbalski
is a solid, tasty and pervasive,
no-nonsense performer who keeps
out of the way. He's almost
invisible on a darkly lit stage,
until you focus on the groove
and let it carry you away, and
then you realize his genius
as rhythmic infrastructure."
(Pauley Styrene, Positively
Entertainment & Dining,
vol. 29, no 9) |